Εμφάνιση αναρτήσεων με ετικέτα Lyn Hejinian. Εμφάνιση όλων των αναρτήσεων
Εμφάνιση αναρτήσεων με ετικέτα Lyn Hejinian. Εμφάνιση όλων των αναρτήσεων

Τετάρτη 24 Αυγούστου 2016

Lyn Hejinian: [The best words get said frequently‚ they are like fertile pips.]




[from The Fatalist]


The best words get said frequently—they are like fertile pips.  
Apples fall heavily to the ground and lie in the sun, their scent  
abandoning them as a philosophy which cannot be further perfected. Love
releases playful sensations even from serious things providing a life
to think about. Take R—the only thing
R could credit herself with was having lived
her life and so she not only kept an account of it
but did so not in the privacy of a diary but in the form of letters
—abundant, profligate, indiscrete—that I want to write  
to you so as to note something that I read
this morning: “It’s not that this or that means something
to me but this!—or that!—means something to me.” Musically
R bequeaths herself to posterity as a scholar might
bequeath his or her library blowing twisted veils of rain
past the narrow and curving windows in the last hour that will carry us along
to the time when those who come after us will learn
what we know—a man with a mustache waxed and dyed  
green, a line of tall people and a woman at the door, a committee
of children without scooters but not mournful, a poet with a motive, a pilot
with a flashlight, a sulking but fascinated scholar, and Goethe no doubt
for whom R would have released a flock of red canaries.


Lyn Hejinian: Elegy




I am writing now in preconceptions

Those of sex and ropes

Many frantic cruelties occur to the flesh of the
         
            imagination

And the imagination does have flesh to destroy

And the flesh has imagination to sever

The mouth is just a body filled with imagination

Can you imagine its contents

The dripping into a bucket

And its acts

The ellipses and chaining apart

The feather

The observer


The imagination, bare, has nothing to confirm it

There's just the singing of the birds

The sounds of the natural scream

A strange example

The imagination wishes to be embraced by freedom

It is laid bare in order to be desired

But the imagination must keep track of the flesh
         
            responding—its increments of awareness—a
         
            slow progression

It must be beautiful and it can't be free




                     -for John Zorn, after his “Elegy”


Lyn Hejinian: constant change figures [excerpt]



constant change figures
the time we sense
passing on its effect
surpassing things we've known before
since memory
of many things is called
experience
but what of what
we call nature's picture
surpassing things we call
since memory
we call nature's picture
surpassing things we've known before
constant change figures
experience
passing on its effect
but what of what
constant change figures
since memory
of many things is called
the time we sense
called nature's picture
but what of what
in the time we sense
surpassing things we've known before
passing on its effect
is experience

Lyn Hejinian: [A straight rain is rare...]



A straight rain is rare and doors have suspicions
and I hold that names begin histories
and that the last century was a cruel one. I am pretending
to be a truck in Mexico. I am a woman with a long neck and a good burden
and I waddle efficiently. Activity never sleeps and no tale of crumbling cliffs
can be a short one. I have to shift weight favorably. Happiness
can’t be settled. I brush my left knee twice, my right once,
my left twice again and in that way advance. The alphabet
and the cello can represent horses but I can only pretend
to be a dog slurping pudding. After the 55 minutes it takes to finish
my legs tremble. All is forgiven. Yesterday is going the way of tomorrow
indirectly and the heat of the sun is inadequate at this depth. I see
the moon. The verbs ought and can lack infinity and somewhere
between 1957 when the heat of the dry sun naughtily struck me
and now when my secrets combine in the new order of cold rains
and night winds a lot has happened. Long phrases
are made up of short phrases that bear everything “in vain” or “all
in fun” “for your sake” and “step by step” precisely. I too can spring.

Lyn Hejinian: [But isn’t midnight intermittent]



But isn’t midnight intermittent
Or was that just a whispered nine
A snap of blown light low against the flank of a cow
A likeness of something numberless that only I not knowing the sound
            might know
It may have been howled by a circling dog being chastised — threatened —
            by multiples of itself in pursuit of the consolation of knowing that
            everything is real
It was real
I don’t mean midnight — despite horizon, nipple, and fissure
I don’t mean
And yet I do — mean, I mean
A cowering animal woven real
            flickers
                        please pull over
                                    Kierkegaard
Kierkegaard says knowledge precedes every act but surely there are acts that
are not preceded by knowledge. Repetitions pass at the door from summer
to winter. Some slowly. Some quickly. Total strangers. Never saw them
before. Can’t picture them now. Umbrellas — strange totalities — upheld,
wheeling.